It has been a while since I wrote something, but I have some good news to share. There is a new album coming together with Ron Boots. As you may know Ron and I have become very good friends over the past years and we did two albums together before. Both those albums were created during a holiday were we brought some synthesizers. And we thought it was time to do that again. So we booked a house in the Belgian Ardennes for 4 days and went there together with Monique and Sonja. We did not only make music of course we also visited the Bastogne War museum and we went to the Chouffe shop and brewery. My favorite beer :) We also visited Frank van Bogaert and his wife Pieke and had some of those Chouffes and a lovely dinner with them. All in all we had a great time. 

 It was so much fun working with Ron again. It was way too long ago. It is amazing how quickly we can create a track together. It feels very natural to play with Ron. For me it was a bit harder this time than the previous two times we did this though. The last years I didn't play much unfortunately due to lack of time caused. by both my divorce, moving a couple of times and starting a new company again. So my playing was a bit rusty from time to time. Ron brought his notebook with Cubase to record everything with a multi track audio interface, so we could do some retakes from time to time. Mistakes mostly on my side :) But in four days time we created a lot of new music.

I know some of you are gear heads and are always wondering which instruments we brought. Ron brought his UDO Audio Super 6 which is really a power house of a synth. Ron also brought some VST's that we only used for some drums to have some rhythm to go on. I brought the Expressive E Osmose that I recently received after I backed it on Kickstarter long ago, also my Roland Gaia and the Behringer Solina strings. I took me some time to get used to the Osmose keyboard, but it is amazing what you can do with it. The Gaia I brought because it holds my favorite lead sound. The Solina really surprised me, I used to have an Eminent 310 in my studio for those Solina strings, but I think the Behringer actually sounds better and it is a lot easier to carry :)

So I can hear you ask the question already. When will the album be ready. I don't know for sure. First we will have to listen the tracks back and select which ones will make the album. And then usually we want to do a bit of extra producing and of course mixing and mastering. And in the mean time I'm also still working on my PaleaonTology solo album and time is limited for me at the moment. As you might know I moved to Boxtel now (near Ron's house) and that does make it easier now to work together. And also finally my studio is running in the new house. I will do a separate post about that soon. I will update you on the progress of this album and also PalaeonTology when I have more information. I will try to reserve more time for studio work the coming months, but I'm also quite busy with my new company ArtiLED. Thanks for reading and if you have questions just send me an E-mail. Thanks Ron, Monique and Sonja for a lovely time in the Ardennes!

Yesterday (12/12/21) my record label Groove Unlimited officially released my Fifth Solo album called TimeTravel. It is kind of different from my previous solo releases. In the last years I released a lot of single tracks on different sampler CDs. Some were for sale like the 'Dutch Masters' and 'Analogy 3' albums by Groove Unlimited, but I also donated some tracks to the German Electronic Music Club Schallwende. They give a free sampler CD every year to their members, so these tracks were never really available for everyone. There is also new (well actually old) material on the album, some tracks that were never released at all. One track that didn't make my AeroDynamics debut album because I had 68 minutes of music already and two old tracks that I found on my computer and decided to finish. All tracks haven been completely re-mixed and re-mastered by my good friend Ron Boots. So even if you have the Schallwende CDs: These versions are different and they are released as download in higher quality as well (48 kHz/24 bit). The artwork was done by my youngest daughter Tamara van Osenbruggen. I'm very proud of that and she will do more for me in the future. I hope you like it. I really do. This album is dedicated to my lovely daughters Joyce and Tamara. I know the divorce has been hard on them. I hope you like the music. At least it was a nice Travel back in Time for me :)You can find more information on my website: https://www.synth.nl/music/albums/timetravel It is available as physical CD and also as download from both Groove Unlimited as BandCamp.

It has been a while but finally I went on a short holiday again. I visited Iceland with my girlfriend Sonja and we had a great time. We were there for two weeks and took a lot of pictures and did some filming. The first week we visited the North part of the Island and now we understand why it is called ICE land :) It started snowing when we arrived and it was very cold because of the hard wind. Here is a short video from that first week with some fast impressions and some Synth.NL music from my AtmoSphere album. The video from the second week will come later since I didn't finish it yet. I hope you enjoy it.

I'm currently working hard on both the music and the artwork for my upcoming new solo album. The album will be called PalaeonTology and it is inspired by dinosaurs. This album will be a travel through some of the more well know prehistoric periods and will feature several dinosaur species. On land, in the water and in the air. I already have about 60% of the album done and the plan was to release it in October on the E-live festival by Groove Unlimited in Eindhoven in The Netherlands, but I'm sorry to inform you I didn't make that. I cannot be there either unfortunately.Normally on my concept albums I use a lot of sound I sampled. That is of course a bit hard with extinct species. So I did some sound design inspired by Jurassic Park and made my own dinosaur sounds. Can't wait to let you hear those, but for now here is the cover of the album. I hope you like it. I will show more of the artwork and the album later. You can already find the track list on this link: https://www.synth.nl/music/upcoming/palaeontology

Again it has been quite for a while. And for a good reason. I started a new company. On this blog I will also update you on that. The company is called ArtiLED and as the name suggests it has something to do with Art and Leds. When I moved into my new apartment in Rotterdam I was looking for some special lighting and what I wanted wasn't available. So I decided to start building my own lights based on Smart Leds. Every light will be custom build from a raw piece of aluminum and every light will be it's own computer. Every led can be individually addressed and it will react to music and images. I will show you more later. If you can understand Dutch (of know how to use Google Translate) you can have a peek at the website I'm building even though it isn't finished yet. The first product will be a single Led Computer without the lamp. I will explain how and when later. For me this is the ideal combination of my hobbies. Electronics, 3D design and programming. Here is the link to the website https://www.artiled.nl. You can also follow the company on Instagram if you like: https://www.instagram.com/artiledbv

As you all know I like to use my own recorded samples in my music. I went out a lot with my portable audio recorder to sample ocean sounds, rain, wind, thunder or dolphins or whatever else I needed. But when you make an album about dinosaurs that is a bit difficult since they are no longer around. So last week I decided to start designing my own dinosaur sound effects. My inspiration was of course Jurassic park because nobody knows how they actually sounded. Of course I could not use the sounds from the movies since, first of all it is not allowed due to copyright and secondly there is usually talking or music or other noises over the sounds. I recorded and collected a lot of animal sounds over the years and I used them for this purpose. Since dinosaurs where very big you can imagine they make big and low sounds. Most of the work was first cleaning up the sounds. Removing background noise and wind noise and after that  stretching the sounds to make them longer en lowering the pitch. After that I layered multiple animal sounds together for the maximum effect. In the picture there is a little give away which sounds I made. There will be tracks about these animals on the album. But there is still a lot of work to be done before you can listen.

Now that the BorkHavn CDs are in also the first reactions are coming in. This is always the nicest part about releasing an album. As you might know producing this kind of music you don't do for the money, but it is nice if you can make people happy with your music. So far reactions have been very positive and BorkHavn also got some radio airplay already. But also the first reviews are coming in. I wanted to share this very nice review by the German Electronic Music club Schallwende with you. It was written by the CEO herself. It was originally in German, but it was translated to English here. The link to the original German version is here: https://www.synth.nl/reviews/borkhavn/1213-borkhavn-schallwende

Ron Boots & Synth.nl: - BorkHavn
 
It has taken eight long years and now she is finally here! "BorkHavn", the second collaboration of Ron Boots and Michel van Osenbruggen, better known in the EM-Scene as Synth.NL. This great record was created as a rough version during a relaxed family holiday of the Boots' and van Osenbruggens. During the day they enjoyed the beach life and the beautiful nature in Borkhavn, Denmark, and in the evening Ron & Michel "buried" themselves in the small improvised studio, which they had equipped with their brought along mini-equipment. Already the two thoroughbred musicians started to improvise. During these sessions I would have loved to listen and see ... Michel and Ron assure us that all the music on the present album was improvised live in this cottage.

 
The holiday together must have been musically very fertile for both of them, otherwise such an excellent record would not have come out. Unfortunately, the two of them withheld this jewel from us for many years and we were longing to find out whether and how things would continue after their joint debut in 2010 "Refuge En Verre". "Polished" and remixed in October and November 2020, the CD fortunately made it into this year's pre-Christmas season. "BorkHavn" is another ray of hope in these dark times of crisis, next to Electric Mud's "Quiet Days on Earth"- my CD of the year. (see my review in schalldruck No. 54.)
 
Of course the music doesn't sound Christmassy, quite the contrary! It is very powerful in many parts and sometimes even martial. In my head - even when listening to it several times - always the same film is playing: Erik "the Red" defeats the roaring sea after a hard fight and discovers Greenland with his Vikings. BorkHavn has become fantastic film music. Various musical variations such as melancholy, opulence, and gentleness, wonderfully expressed by a guitar in a minor key, staccato-beaten (snare) drums, as well as dreamlike, delicate piano playing, make the album something very special. This rhythmic interplay is a very interesting sound variation, which I have not heard so often.
 
In any case, both Michel and Ron, this time from a completely different musical side than before. Two EM giants have come together, whose music makes you want more! Chapeau, dear Ron and dear Michel!
 
For me, "BorkHavn" is an extremely cinematic consolation at the end of this bizarre year. Music on, head cinema on!
If you don't have this masterpiece yet, please add it to your wish list!

I was asked by BIT Datacenters in The Netherlands to make a background track for their new company video. Here you can watch the video and hear the music I created in the background.

In 2010 I was contacted by Thomas de Rijk who was studying at that time at the Willem de Kooning Film Academy in Rotterdam. He asked if I wanted to cooperate in a documentary for his school project. And of course I agreed. He made this very cool documentary about my burn-out and how I got into producing my own music. I think he did a great job! The documentary is in the Dutch language, but it has English subtitles. I hope you enjoy it. I has some nice NASA HD footage (courtesy NASA) and also some nice shot from my Apollo Studio. It took a while before it ended up online, but here it is:) The music you hear is coming from my Apollo album. I hope you enjoy it. Thanks a lot Thomas!