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Synth.nl Reviews
2009 OceanoGraphy Album
Bert Strolenberg / Sonic Immersion
'OceanoGraphy' is the third release of Synth.nl, aka Michel van Osenbruggen,
who got inspired by the earth ocean's and the many sea creatures living in
them. The 12 cinematic and melodic tracks with lots of well-chosen environmental
sounds clearly show a further refinement of his skills and sounds, creating
a nice feel-good atmosphere and open space to dwell in. 'Antartico' starts
out nice and very smoothly, carrying a certain Frank
VanBogaert-like edge with its warm, encompassing sound, after which the
other tracks continue the sonic voyage with catchy sequencing, clear solo
voices and thick-layered synth layers. The expert mastering by Ron Boots
gives an extra dimension to this well-executed work of spacious mood music,
which occasionally contains elements of Jarre and Vangelis.
I have not doubt this music will be embraced and liked by lots of EM-fans.
Mission well accomplished, Michel!
Paul Rijkens / NL
Behind the modern and recognizable artist name Synth.nl goes the Dutchman
Michel van Osenbruggen. 'OceanoGraphy' is his third album after
'AeroDynamics' and 'AtmoSphere'. Michel is somebody who not only creates music,
he also thinks about the world surrounding him. The music of Synth.nl brings this together.
'OceanoGraphy' is inspired by the Earth oceans and the creatures living in
them. This album is a journey into the deep waters of the oceans. That is
something else than a lot of other electronic music-albums that bring us
into deep space. The album is endorsed by the World Wildlife Fund that
receives a part of the revenue of the cd.
The albums opens with 'Antartico'. It is a big sounding piece with a
wonderful theme that almost has traces of Vangelis but -in case of melody-
also of Michels fellow Dutchmen Peru (remember them?). His music has many
faces but in general it has an excellent structured melodical sound that
almost has traces of progressive rockmusic.
'Baleanoptera' is a fine example of this. Also, there is a somewhat
melancholy thought put into the music. His manages to come with some great
synth soloing. Just listen to 'Atlantico'.
The heavy symphonic grandeur of Vangelis can be heard again in
'Carcharodon' and in the brilliant 'Indico'. In the positive sounding
'Megaptera' sounds of whales are included in the music. The melody here is very nice. Michel
should be capable of making film music. For instance, the title track is
very imaging. 'Tursiops' again has a simple but very uplifting melody. On
'Artico' and the menacing 'Orcinus' there is a slight hint of Jean Michel Jarre.
The music on 'OceanoGraphy' is somewhat more quiet than on his first two cds
but on 'Chelonia' and 'Pacifico' the rhythms from these albums can be heard.
Again, mixed with traces of the Greek grandmaster.
Michel is a great talent who, with 'OceanoGraphy', clearly has put himself
in the bigger league of electronic musicians. And the statement he makes on
this album is one that only must be appreciated and followed.
Artemi Pugachov / Encyclopedia of Electronic Music
Interesting concept album from Dutch artist Synth.nl is what I am going to
review below. This work is dedicated to the Earth's oceans and the creatures
living in them. Accordingly, each track is named after a specific ocean or a
marine animal. "Antartico" kicks in with an atmospheric intro full of wave
samples and gentle pads. A relaxed rhythm starts and a nice melody supports
the flow. The mood is that of serenity and a sense of wonder permeates this
composition. An atmospheric section follows before we return to the melodic
theme. "Baleanoptera" starts with the sounds of whales before mysterious
chords provide a nice flowing backing to a funky bass line. A loungy rhythm
kicks in and a menacing synth theme plays on top. More melodic themes follow
and the track acquires a darkish mood that's something not very typical of
Michel van Osenbruggen's oeuvre. "Atlantico" is more upbeat, with a steady
rhythm pushing things forward and some nice arpeggios and soloing. I like
the lovely analog timbres Michel is using on this track. It also has one of
the catchiest melodies. "Carcharodon" - a track dedicated to the Great White
Shark - begins with very Jarre-like timbres (think "Rendez-Vouz" pads mixed
with "Oxygene" EMS twitters). After a while, a simple melodic theme is heard
which is then joined by nice analog bass and a warm soloing synth. This is
great EM with a sense of menace lurking inside. "Megaptera", dedicated to
Humpback Whales, not surprisingly, begins with whale samples set upon the
background of nice pads. The track quickly gains momentum with an optimistic
theme that recalls Jarre or even some theme from one of those 80's b-grade
movies. A nice change of pace next to the rather austere music that came
before. The samples of whale song appear several times throughout this
track. The title track then flows effortlessly with a theme so melancholic
and bittersweet you'd think you've heard it before. In fact, there's
something familiar and nostalgic about it. It's also slightly
classically-influenced to my ears. If you enjoy the more melodic / romantic
works of Jarre, you will like this. "Tursiops" lifts that atmospheric lever
a notch or two, providing a nice experimental sequence / arpeggio, a relaxed
rhythm and nice breathy pads. On top of this, a pleasant melody created with
a lovely analog timbre plays. There are also lots of environmental samples
on this track. "Indico" is the most romantic and soft of the bunch - a slow
melodic motif, punctuated by a weeping synth solo. "Chelonia" is dedicated
to our best friend in the seas - the dolphin. It's a gentle track with
trademark bass arpeggios, a relaxed rhythm and a melody that glides smoothly
like dolphin upon waves. A nice lead line is all we really need for an
excellent EM track. "Artico" kicks in with the sound of blizzard until
various sequenced sounds appear as well as a nice pad. Rich in tone colours,
effects and lead lines, this rhythmic track has a strong epic melody that
reflects the severe weather conditions that the territory of Arctic ocean is
known for. "Orcinus" is the most mysterious track of the lot. Slow,
reflective and atmospheric, it's perfect relaxing stuff. Again the
programming of sounds is excellent. Intense analog timbres get the closing
track "Pacifico" underway. Soon a rapid one-note sequence appears, but as
the rhythm and melodic theme kick in, we are clearly in typical Synth.nl
territory, which means a tasty and easy-listening mix of relaxed rhythms,
great melodies and atmospheric effects. It's a fitting and optimistic way to
finish this great melodic EM work. Just like Michel's previous offerings,
this immaculately recorded and mixed album was released on the Dutch EM
label Groove Unlimited and endorsed by WWF.
Sylvain Lypari / Guts Of Darkness
When the harmonies meet rhythmic complexities, or when the influences of
Jarre cross the romantic arrangements of a dreamy Vangelis, that gives
OceanoGraphy. A very beautiful album that depicts pretty well the vision of
the Dutch synthesist. For his 3rd opus Michel Van Osenbruggen is inspired by
the oceans and the survival fragility of its aquatic fauna. A work which
wants to be a intra terrestrial hymn with a strange spatial fusion,
supported by a certain rhythmic heaviness which has nothing to do with the
grace of oceans.
Antartico opens on a very light touch. A beautiful title with a melodious
thematic which is near Vangelis style where we can hear a magnificent felted
and fluted mellotron pushing this great melody close to New Age territories
on a very sensitive and hooking synth and keyboard. A soft track that could
make melts the hardest ones. Balaenoptera (Rorqual of the Atlantic Ocean) is
quite its opposite and shapes marvelously the heavy movements of this
graceful whale. A hiccoughing bassline hems on a synth which undulates in an
oceanic background soundscapes. A fine keyboard strums soft chords before
the bass becomes accessory of heaviness on a superb synth which drags an
impressive sound mass in a fanciful amphibic world. A heavy title, quite as
the mega weighting Megaptera, who finds grace on a splendid hemming and
coiling synth filled of kiss-curl laments. Loud and atonal, the intro of
Atlantico rolls with an extreme gravity on a sea agitated of intertwined
waves. A spiraled rhythmic, coated by mellotron choirs and by clacking
percussions thus a synth to ascending arpeggios, draw a musical structure
that recalls the great moments of Jarre in a halieutic carousel stuffed with
heavy twisted solos. With its cosmic approach to thousand striations and
shooting stars analog effects, Carcharodon crosses more the space than the
abundance seas on a good structure of loud bass with a melodramatic
approach.
Oceanography divides the opus into two, bringing a less heavy and more
harmonious approach for the following tracks, with a synthesized lament
which enjoys a beautiful synth to sighs of a faunistic submarine variety, on
a slow tempo knocked off by arpeggios that sparkle on a mellotron that shape
the movements of tides. There is a beautiful artistic creativity on Tursiops
where we hear dolphins sing and to jump on a broken rhythm by a beautiful
synth to aquatic waves. After this sweet sea lullaby which is Indico,
Chelonia moves with the elegance of marine tortoises on a slightly hatched
cadence and a synth with tropical flavor saxophones solos. With its slashed
tempo that a hiccough on ground swell melodious synth witch explodes of good
solos, Artico distances itself from quieter structures giving to ocean
titles of OceanoGraphy. By far, it's the liveliest track on this second
half. Softer, Orcinus spouses a dreamy structure with a beautiful piano and
a bass sequence which stutters under a synth very near the soil of Vangelis,
quite as melodious Pacifico who closes with the same harmonious approach as
Antartico had made at opening.
When an artist succeeds to sculpture his music so that we can visualize its
storyand\or message, we can easily assert that its purpose is reached.
OceanoGraphy of Michel Van Osenbruggen (Synth NL) aims right to the target
by offering a beautiful and tender poetic music with amazing rhythmic
structures, sometimes heavy, slightly complex, but always melodious. A
beautiful album which we taste eyes closed with soundscapes and sounding
images which will certainly please the fans of Vangelis and Jarre, any areas
include.
Phil Derby / Electroambient Space
Michel van Osenbruggen aka Synth.nl has made fun, melodic, upbeat electronic
music inspired by a variety of topics. This time out he tackles
OceanoGraphy. .Antartico. is very dreamlike to start before a softly
percolating sequence bubbles up, followed by a lighthearted, pleasant
melody. Osenbruggen excels at creating tunes that will play in your head
long after the disc has finished. .Balaenoptera. has a more dramatic,
exciting flavor, again very nice on the sequencing, melodies, and various
synth sounds. Tracks alternate between this more majestic feel and a more
playful tone. Many have a cool pulsating undercurrent like the gently
undulating synths of .Megaptera. that keep things moving along. The title
track is excellent, starting as a midtempo piece with really nice synth pads
in the middle, then it gets darker and more dramatic, followed by a lighter
section to finish. .Indico. and .Chelonia. bring things down a couple
notches, soft and slow with a relaxed mood. And so it goes from one good
track to another, not a bad one to be had here. If you need something to
brighten your spirits, OceanoGraphy should do nicely.
Stefan Schelle / Musik Zirkus Magazine
Hinter dem Pseudonym Synth.NL verbirgt sich der niederlädische Elektronikmusiker Michel van Osenbruggen.
Bereits im Jahr 2007 hat er mit seinem Debalbum „AeroDynamics“ f
Aufsehen in der Szene gesorgt. Auch sein zweites Album „AtmoSphere“
konnte sich gut behaupten und sorgte daf, dass er in der Kategorie für den besten
Neuling bei der Schallwelle-Preisverleihung nominiert wurde. Für sein drittes
Album, das den Titel „OceanoGraphy“ trt, hat er sich etwas ganz
besonderes einfallen lassen, das allein schon den Kauf zur Pflicht macht. Er
spendet von den Einnahmen einen Teil an den World Wildlife Fund, kurz WWF.
Die Inspiration f¨r das Werk hat er sich wrend eines Tauchurlaubes geholt. Bei
dieser Gelegenheit hat er nicht nur einige der Tiere gesehen, er hat auch
Sounds, die auf dem Album zu hen sind, aufgenommen und gesampled. Mit den
zwölf Stücken nimmt uns Michel mit auf eine Reise in die Tiefen des Ozeans und
zeigt uns die Welt der Wale, Delfine, Haie und vielen anderen Wesen, die vom
Aussterben bedroht sind.
Das erfnende „Antarctico“ entführt uns in die slichen Polarmeere. Bei diesem
Stück hat Michel an die Walherden gedacht, die im weiten Ozean friedvoll schwimmen und Nahrung
aufnehmen. Töne die im weitesten an Walgesge erinnern, japanisch wirkende Sounds
sowie an Vangelis angelehnte Passagen und Melodieben finden sich in diesem
ersten Track. Im zweiten St¨ck „Balaenoptera“ kommen dann
Walgesänge auf, denen Keyboardpassagen, die an das Alan Parsons Project erinnern,
hinzugeft wurden. Dieser Parsons nliche Stil wird aber durch weitere Sounds
erweitert. In diesem St¨ck geht es um den Blauwal, dem grössten Wal bzw.
Lebewesen der Erde, der sich trotz seiner Ausma doch nur mit Plankton und
Krill, also von kleinsten Lebewesen ernrt. Diese Stück ist
getragen und eher majestisch angelegt. In „Atlantico“ geht es
dann um den atlantischen Ozean. Sehr schöne Melodien und Rhythmen bestimmen das Bild.
In „Carcharodon“ geht es um den weissenn Hai. Die flirrenden Synthies, die an Jean Michel Jarre erinnern
sowie die schönen Synthieflächen sorgen dafür, dass man unter die Wasseroberflhe
gezogen wird. Toller hypnotischer Track der sich stetig entwickelt.
Auch in „Megaptera“ geht es um Wale, was durch die Gesge sofort wieder deutlich wird. Das
Titelstück hat Michel dem bekannten franzischen Ozeanographen Jaques-Yves Cousteau gewidmet.
Hier zeigt Michel, dass er für den anderen grossen Franzosen, nämlich Jean
Michel Jarre schwärmt, denn die Nähe zu diesem ist unverkennbar. In
„Tursiops“ thematisiert er dann Delfine mit sehr scher Melodiefrung um dann in
„Indico“ in den Indischen Ozean zu wechseln. Diesen lst er mit
vertäurmten Melodien vor dem geistigen Auge des Hörers in Form eines weitlfigen Strandes
entstehen. Hier klingen Sounds durch, die mich von ihrer Klarheit an
Brainwork erinnern. Und auch die restlichen vier Tracks k&oyml;nnen
den Standard, den Synth.NL bisher auf dem Album vorhielt, bestigen.
Synth.NL aka Michel van Osenbruggen ist mit „OceanoGraphy“ ein sehr
schönes drittes Album gelungen, das die Stimmung der Weltmeere und ihrer Bewohner gut wiedergibt.
Wer auf melodischer Elektronikmusik steht oder auch die beiden Vorgänger von Synth.NL mochte,
der kommt hier voll auf seine Kosten. Spätestens mit diesem Album hat sich Michel in der Szene vollends etabliert.
Araglin / NL
Op zijn vorig jaar verschenen tweede album 'AtmoSphere' verkeerde Michel van
Osenbruggen (beter bekend als Synth.nl) in hoger sferen - en dat mag je
letterlijk nemen: de cd neemt je mee op een fascinerende reis door de
verschillende atmosferische lagen. Met zijn nieuwe album gaat Van
Osenbruggen de diepte in. 'OceanoGraphy' is een conceptalbum over de diverse
oceanen en de wezens die zich in de diepten ophouden. Net zoals zijn
voorganger bevat 'OceanoGraphy' vriendelijke, 'open' elektronische muziek,
waar niemand zich een buil aan kan vallen. Voor de verandering eens een keer
geen ellenlange excursies in een parallel kosmisch universum, maar nummers
die gemiddeld zes minuten duren en op smaak worden gebracht met subtiel
getegreerde natuurgeluiden en samples (walvissen in bijvoorbeeld 'Megaptera'
of geluiden van Michels duikboottrip in het titelnummer), relaxed
voortkabbelende beats, sfeervolle ambient en af en toe een synthsolo.
In vergelijking met 'AtmoSphere' en vooral Synth.nl's debuut 'Aerodynamics'
(2007) is het tempo op 'OceanoGraphy' wat rustiger en liggen de Jean-Michael
Jarre-invloeden er minder dik bovenop (eigenlijk zijn alleen nog op
'Carcharodon' en 'Pacifico' overduidelijke Jarre-echo's te horen). Michel
van Osenbruggen schurkt tegen de uitwaaierende, licht melancholische
klanktapijten van Vangelis en Vlaming Frank Van Bogaert aan, maar klinkt
bovenal steeds meer als... Synth.nl. En aangezien al die moderne
elektronische muziek nogal op elkaar lijkt, is dat een prestatie van
formaat. Kortom, mijn toch wel enigszins hooggespannen verwachtingen, worden met
'OceanoGraphy' moeiteloos ingelost, hoewel Michel de originaliteitsprijs
nooit zal winnen. Voeg daarbij de uitstekende geluidskwaliteit en mastering
van Groove.nl-labelbaas Ron Boots en het is duidelijk dat Synth.nl klaar is
voor een wereldwijde doorbraak - voor zover je daar bij elektronische muziek
tenminste over kunt spreken. Nieuwsgierig geworden? Op Michels site en zijn
MySpace-pagina kun je diverse tracks beluisteren. Overigens gaat een
gedeelte van de opbrengst van het album naar het Wereld Natuur Fonds.
2008 AtmoSphere Album
Synthopia
Atmosphere is a great new album of synth music album from Dutch
synthesist Michel van Osenbruggen, aka Synth.nl. Atmosphere is a
concept album, based on the layers of atmosphere that surround the
Earth, the various types of clouds that are encountered within each
layer and the sounds of weather that might occur at each layer. The
tracks are arranged to follow the layers of the atmosphere, as if you
were taking a trip from the earth into space. The 'atmosphere' concept
isn't heavy-handed, but serves as a framework for Osenbruggen's music,
which is electronic music in the synth music tradition of artists like
Tangerine Dream, 80's Jan Hammer and Jean Michel Jarre. The music has a
symphonic electronica texture with an emphasis on traditional
analog-style sounds. The tracks on Atmosphere are very melodic,
without being pop-ish. One of the highlights of the album is
Stratocumulus. It features a sequenced synth bass line, a string/brass
synth melody line and phased synth strings. Synth.nl builds on this
with tasteful use of electronic percussion, effects and a bit of
sampled ambient effects. Another highlight is Allocumulus, which has
an almost hymnlike quality. It begins by stating the theme with muted
synth strings, accompanied by subtle percussive effects. It then
repeats the theme in a series of variations, repeating once in an
arpeggiated version, and then building to a broader statement of the
theme with electronic rhythms and new instrumentation of the melody.
Osenbruggen brings back the arpeggiated variation on the theme and
then builds the piece back up to another peak. Jarre fans may smile a
bit when hearing the track Mesosphere, which echoes the sounds of
Oxygene and Equinoxe with its use of heavily phased synth strings and
a melodic bass line. Another highlight is Allostratus. It's built
around a descending bass line that repeats throughout most of the
piece. Osenbruggen gives it a modern feel by using multiple layered
basslines and electronic percussion, without taking it into dance
music territory. Osenbruggen adds interest through effective used of
synth orchestration and the use of several breaks. Overall, Synth.nl.s
Atmosphere is a treat for synth fans. Osenbruggen's style of symphonic
electronica will appeal to fans of classic synth music and space music
artists of the late 70's and 80's but it's not too hard to imagine
these tracks being remixed as dance music, too.
Alejandro Hinojosa
The style of this work is situated on the border between Synth-Pop and the
most futuristic areas of Techno. Also there are some traits from Space
Music, that contribute to enrich the pieces. Almost all the music is very
dynamic, with powerful rhythms, although there also are slow parts. The
melodies usually are lively, in an atmosphere typical of a soundtrack for an
adventure movie. This is a fresh and innovative album, which no doubt will
contribute to increasing the reputation of the artist.
The most impressive piece in the album is, in my opinion, "Nimbostratus".
Carsten Volmer / Germany
Nach dem Debütalbum, das sich noch mit dem
erdgebundenen Thema 'AeroDynamics' beschäftigte, hebt Michel van Osenbruggen
nun vollkommen ab und verschwindet in 12 Tracks komplett in den einzelnen
Schichten unserer Atmosphäre. Seinem Gesammtsound ist er auch weiterhin treu
geblieben und so umschmeicheln lüftige, angenehme Synthiemelodien und
sphärische Schwingungen das Ohr. Im sehr relaxten Mid-Tempobereich wird man immer her
hinausgetragen und erreicht fast meditative Stimmungen, allerdings ohne
dabei in Kitsch oder Klischees abzurutschen, was wohl auch daran liegt, dass
die Stücke für diese Art von Musik eher kurz gehalten wurden und sich eher an
Popsongs orientieren als an langgezogenen New-Age-Geklimper. In unserer
sonst so hektischen Zeit bezaubert eine solche Musik durch ihre Ruhe und
Schlichtheit. - Wer die mittlere Phase von TANGERINE DREAM mag, der sollte
hier einfach mal beherzt zugreifen!
Stéphane Froidcoeur / Side-Line.com
One thing is for sure, Synth.nl has a great website dedicated to his music.
Michel van Osenbruggen offers you plenty of material to learn more about his
project. An extensive biography, download links of interviews (with audio
from both his releases), behind the scene pictures / stories of his huge
studio packed with impressive hardware, links to different blogs with more
detailed info and links to other artists (a very interesting list). It is
really worth to pay a visit. Influenced by 80s synthesizer music, Synth.nl
most inspiring artists are among his top friends on Myspace. To name a few:
Jean Michel Jarre, Vangelis, Tangerine Dream, Kitaro. Synth.nl started
composing and producing music in 2005. The first album .Aerodynamics. was
released in 2007 and dealt with the aerodynamic aspect of racing cars and
airplanes. For this second album inspiration came by the atmosphere around
planet Earth. The songs are inspired by the different layers of air around
the world, the different cloud formations that are encountered in these
layers and the sounds of different weather phenomena. Sampling a lot of
sounds himself (thunder storms, rain, wind etc), proves again the man puts a
lot of effort in producing his music. It is recommended to listen to the
album using headphones and for sure you will be grabbed by the beautiful,
modern sounding, floating synthesizer sequences. This music sounds retro
futuristic, cosmic, melancholic. It took me quite a while to spot the most
outstanding songs on the album. At first sight it seems the album is one
elaborated dream sequence, but after a few listening sessions I was able to
pick out my favorites. Strikingly enough it were the tracks with the more
prominent 'lead' melodies: 'Stratosphere' and 'Thermosphere', although
'Atmosphere' is built up with beautiful chords as well. The cristal clear
sound quality is highly relevant for this kind of music and without a doubt
Synth.nl gathers its place among the bigger names in synthesizerland.
Sylvain Lupari / Guts Of Darkness
Michel van Osenbruggen (Synth.NL) 2nd album is inspired by the layers
of atmospheres which surround our planet. A little in the same vein as
its 1st opus, AeroDynamics, the Dutch synthesist continues to forge
energetic music with catchy rhythms. Atmosphere offers a beautiful
range with a touch closer to nebulas atmospheres than cosmic one, as
we found on AeroDynamics. A new kind of progressive synth pop with a
heavy approach.
Troposphere is fomented like a grain in space. A train comes from
nowhere and releases heteroclite sound effects. The ambiance is
cosmic, except for fine cymbals which initiate a percussion set more
vigorous, in a cosmic sphere with Mellotron chorus and light hazes. A
syncopated sequence is melting agreeably in this space landscape,
creating a sustained rhythm which girdles an active nebulosity. In a
track, Synth.NL situates his music. Melodious and rhythmic, stuffed of
heavy Mellotron which gives the impression to slow down the tempo.
Heavy and dilly-dally Troposphere, just like Cumulonimbus which seems
to be his remix, rebound in the tympanums with an amazing sound
richness. Atmosphere abounds of these titles with vaporous and
climatic intros which lead to frank and vigorous rhythms, with a Jean
Michel Jarre touch. Titles like Troposphere, Altocumulus, the
excellent Altostratus and the very Jarrian Exosphere with his
delightful violins, exploit chipped sequences on percussions very well
freshened and on melodious synth. Some great cosmic candy, intelligent
and appealing.
Stratosphere intro plunges us into a cosmic static broth which is
animating softly on circular cymbals and a hiccupping sequence which
surrounds a movement hardly rhythmic. Melodious, the synth floats
wistfully whereas the title immerses in a black mood with, in
background, the initial melody which floats more than agitating. One
of the more ambient tracks we find on this album, along with
Thermosphere and Cirrostratus which always oscillate between the
fragmented nebulosity and rhythms. Atmosphere is more elaborate. A
soft rotary sequence with a Mellotron choral insufflates a soft melody
that dry strike of percussions does not manage to spoil. A good track,
like the majority that composes Synth.NL 2nd opus. Synth pop with a
more progressive touch, like Mesosphere and its long synth solos and
Nimbostratus with its dramatico-cosmic approach.
If you have like AeroDynamics, AtmosPhere will not disappoint you. A
strong album in rhythm and which brushes the roots of ambient EM does
not go unperceived. There is a strong Jarre influence, in particular
on percussions and synthesized refrains which bite easily the ear. A
good album for fans of pop synth, with great percussions moves and
well builds orchestrations.
Artemi Pugachov / Encyclopedia of Electronic Music
This album by Dutch artist Michel van Osenbruggen is dedicated to the
atmosphere of our planet Earth and each track is named after a specific gas
layer above the surface, starting from the lower ("Troposphere") and going
up right until "Exosphere", where the gas molecules are so sparse that it is
almost like outer space already. Some tracks are named after specific types
of clouds.
The first track begins with whooshing wind and subtle synth effects. Little
by little a nice relaxed rhythm develops and a nice melody is played by a
Mellotron-like choir. A louder, symphonic theme dominates the second part of
this track. Nice relaxed stuff.
"Cumulonimbus" begins with subtle rain effects and a mysterious synth theme.
A laidback rhythm starts, joined by tinkling sequences. A somewhat
melancholic theme is introduced, but everything then calms down for an
atmospheric section, dominated by great synth effects. The rhythm returns
after a few seconds as the main theme reappears towards the end.
"Stratosphere" begins with excellent synthesizer effects - very atmospheric
(no pun intended). A rhythm slowly develops among the sparkling clusters of
synths. A rather serene melodic theme is then introduced. The track is
rather upbeat but is nevertheless quite relaxing. The theme that comes after
3 minutes is very effective. And it's rather unique, too. Synth.nl certainly
has his own style. One can hear various influences in Michel's music but the
overall sound and presentation are fairly unique.
"Stratocumulus" begins with some effects and a simple bass sequence. A
rhythm starts, joined by phased pads. A rather melancholic theme played by a
violin-like synth patch is introduced. The track then gets quite spacey and
serene, with symphonic melodic synths all over.
"Altocumulus" starts in a symphonic way with mucho pads and synth effects.
This is bright and yet somewhat melancholic stuff. An upbeat rhythm starts,
as the track brings in some decidedly Jarre-like flair to the proceedings,
with strident melodic themes alternating between the atmospheric and the
full-blown epicness. The sequences are present but are not dominating.
The title track begins with echoing synthesizers and rain sounds. Very soon,
a sequence develops and the rhythm then joins the proceedings, with choirs,
bass synths and various pads being the main melodic ingredients. Again, it's
a bit similar to Jarre without sounding derivative. An excellent solo
appears in the second half of this track.
"Mesopshere" is the most mysterious-sounding track so far. All kinds of
bell-like synths and a phased pad (ala "Oxygene") provide a rich backbone
upon which a nice melodic theme is installed. The track then transforms into
a rhythm / melody combination that's as effective as ever.
Michel really knows how to write good themes. Some of the bubbling synth
effects are taken straight out of "Equinoxe". "Nimbostratus" was inspired by
the dullest of cloud - you know, the sort of grayish type of cloud that
covers the entire sky and brings continuous snow or drizzling rain. A bass
sequence is joined by yet another resonant pulsation, as the synth pads
sound fairly melancholic. There are also some great unusual synth sounds. It
is nice to see that Michel actually spends time programming his synths,
without resorting to the factory presets. There are a lot of rain effects
throughout this track. A slight Classical (Baroque) influence creeps in
towards the end before it all returns to the spacey synth melody / pad /
rhythm formula.
"Altostratus" sounds a bit mysterious with a touch of menace. Some expertly
programmed sequences appear on this track. The synths are superfat and the
stereo field is used to its maximum, with various sounds and spacey effects
appearing around you all the time.
"Thermosphere" is introduced with radio chatter beneath a menacing pad.
Soon, some bright sequences develop, as the same type of rhythm that
dominated a lot of the tracks on this album appears. An excellent melodic
theme enters. And again I cannot resist the Jarre comparison. Mind you, it's
not a copy, far from it, but that's what comes to my mind.
"Cirrostratus" is next. Synths as airy as said clouds are lulling you and
inspire you with their cosmic chant. Excellent melodic sequences are joined
by silky pads. Beautiful, beautiful and once again, beautiful, both
melodically and sonically. Absolutely cosmic, serene, airy, crystal clear,
it feels like you are floating in the air, leaving the earth behind.
"Exosphere" is the last track, as we are approaching space in our journey
through our planet's atmosphere. Out-there effects and are joined by
menacing synths. A relaxed rhythm begins, as the arrangements are relatively
sparse on this track, consisting mostly of a melodic line, some additional
sounds & textures and subtle bass.
"AtmoSphere" is a nice album of melodic and spacey EM that should appeal to
most EM fans. Best track: "Cirrostratus" - there's nothing like it.
Holger / MC Honert DE
Hello all! Now I have the new album AtmoSphere from SYNTH.NL and I will like
to give an opinion to this:
The design of the cover is 'atmospheric' and in the booklet you will find a
description of the spheres, clouds and weather around our planet, which in
this album the song-titles are. Great idea! You can find also some
specifications about SYNTH.NL and this album.
I hear this album in my car and in my living room at the
dolby-surround-system. The sound of the album is great, but you must hear
this album with a good headphone, because SYNTH.NL hid many details in the
songs, that you can hear much better with headphones. I hear it now to
fourth time and I think I did not find any detail anymore now.
The synths and the self sampled sounds that SYNTH.NL use in the songs are
fantastic. The wide Pads, the Leads, Basses and Drums carry me from the
earth's surface. The songs are very good arranged and they have very much
alternation.
My result about this album:
If you like electronic music, like Jean Michel Jarre, Klaus Schulze and so
on, and if you want to dive into a relaxed world, you must buy this album.
Phil Derby / Electroambient Space
AtmoSphere is more playful upbeat melodious synth music from Michel van
Osenbruggen. Whereas AeroDynamics was based on the theme of motion, this
time van Osenbruggen has his head in the clouds, quite literally, going
through the many levels of earth's atmosphere. Starting in the
'Troposphere' the music is appropriately, uh, atmospheric of course. Though it is floaty
it is also thoroughly electronic, with just the right tribal touches as
well. It progresses smoothly from a mellow to a more upbeat sound, with
solid sequencing and melodic synth leads. 'Cumulonimbus' starts
appropriately with distant thunder and an ominous mood, though it turns
light and bouncy as well. There is a Jarre-like playfulness here and on the
next track 'Stratosphere', but Osenbruggen carves out his own sound and
style within the genre. Sometimes there is a more majestic tone, often
right in the middle of otherwise toe-tapping tracks, but transitions are
deftly handled. I sometimes found his debut a little too playful and light,
but AtmoSphere shows more restraint and maturity in the compositions which
works to its advantage. Even when tracks do get a little sweeter, as on
'Stratocumulus' and 'Altocumulus', it seldom if ever carries things too far
on the cute or cheesy scale. When I'm in the mood for the lighter melodic
side of EM, AtmoSphere will be a disc I will reach for often.
Serge Kozlovsky / Belarus
Colored images of quickly moving and transforming clouds appear with the
first chords of the album 'AtmoSphere' by Synth.nl. Its music is very vivid
and visual. And yet, it is very strong and well-composed.
Michel van Osenbruggen (a.k.a. Synth.nl) creates the project in the best
traditions of European electronic music. It recalls Tangerine Dream and in
the whole the best releases of famous Berlin School. On the other hand
Michel van Osenbruggen's music is penetrated with the spirit of romanticism
(like compositions of Jean-Michel Jarre).
'AtmoSphere' is the second album of Michel van Osenbruggen. His
synthesizer's melodies amaze by clearness of musical palette. The artist
masterfully weaves the sounds of thunder storms, rain and wind into his
music. And it is a very melodious and full of aerial harmonies. Also, Michel
van Osenbruggen's music has a strong dramatic effect.
Synth.nl is undoubtedly a new bright project not only on the European but
also on the world electronic music scene.
Mike / USA
To start off words cant even compliment this fabulous cd. The theme seems
to be very mysterious. Bright synth pads, cruising sequencer lines, driving
percussion and drums. The bass lines alone deserve credit alone, i can say
wow, the thumping gets your feet tapping.
A lot of EM artists these days seems to be queued on a certain sound which
makes it quite boring and not at all interesting. Michel however seems to
create his music in a way that you will want to play it over and over again
without being boring.
Track 6 is loaded with choirs, what a fantastic piece. Not to mention every one is awesome.
Berlin School this isn't, but exciting, interesting, modern EM this is.
Great job Michel, keep the great music coming.
Cosmic Frequencies / USA
Take a cruise journey through different weather patterns and storms, The CD
title really lives up to it's name, I met Michel van Osenbruggen on Myspace
and at the time Analogy vol.3 was released, But then came Aerodynamics and
track 12- Lift just blew my mind, His synth work has mellowed here to a more
swooning journey through all 4 seasons of the year with smooth rockin
melodies.
Bert Strolenberg / NL
October 11th, 2008 saw the release of the second album of Dutch synthesist
Synth.nl, aka Michel van Osenbruggen, a concept-cd inspired by the layers of
air in the atmosphere surrounding our globe.
Listening to the 12 tracks (ranging between four and seven minutes) feels
like an relaxed journey, offering a nice range of fresh sound pads, fx's,
(sampled) environmental sounds and sequencer lines, spiced up by drums and
percussion.
I feel, Michel has brought more rest and expression to his music compared to
the outcome on his debut "AeroDynamics". It sound solid and mature to my
ears, the solo's have more expression and the music sounds transparent and
worked up all the way.
Especially 'Stratosphere' is an encompassing, warm and uplifting travelogue
up the sky. The slight influence of Jarre can be noticed on various spots on
the album, but Michel's moody music expertly pursues its own direction,
delivering its own thing to accesible synthesizer music.
All in all, Michel did a very fine job on 'AtmoSphere'. I trust Synth.nl
will go far for sure.
Paul Rijkens / NL
Behind the modern and recognisable artist name Synth.nl is the Dutchman
Michel van Osenbruggen. On his first album 'AeroDynamics' he managed to mix
two of his big passions into a very interesting musical bag: Formula 1
racing (watching) and electronic music. 'AtmoSphere' is again a
concept-album. The twelve songs are inspired by the different layers of air
around our world; the various cloud formations that are encountered in these
layers, and the sounds of different weather phenomena.
The album opens in 'Troposphere' with a slight homage to the great artists
that came before him, like Jean Michel Jarre and Vangelis.
'Cumulonimbus' has a wonderful film-like melody. The mentioned drive can be
heard very well in pieces like 'Stratocumulus', 'Nimbostratus',
'Altostratus' and 'Thermosphere' that again could have been made for a film.
Michel is also capable of creating some great sequences. That can be heard
in the warm 'Cirrostratus' and 'Exosphere'. He has a nice and fluent playing
style.
It is a wonderful thing to hear that artists are developing themselves.
Michel certainly does. With the approach of mixing electronic music with
clever concepts, he might become an important name in 'EM'.
Stephan Schelle / DE
Der Niederläder Michel van Osenbruggen ist im vergangenen Jahr mit seinem
Album 'AeroDynamics' ein erstaunliches Debut geglükt, dass durch einen tollen
Sound, gespickt mit zahlreichen Effekten sowie mit sehr eingängigen und
schönen Melodien aufwarten konnte. Im Herbst 2008 legt er mit dem Album
'AtmoSphere' sein zweites Werk nach, das in die Futapfen des Vorggers tritt.
Bei der Musik hat sich Michel von den Schichten der Atmosphäre unseres Heimatplaneten
sowie den unterschiedlichen Wolkenformationen und Wetterphomenen inspirieren
lassen.
Ein Dutzend Soundscapes mit Laufzeiten bis maximal knapp über sieben Minuten
Länge bietet die CD. Dem Thema entsprechend finden sich Titel
wie 'Stratosphere', 'Stratocumulus' oder 'Exosphere' auf der CD wieder.
Der Operner 'Troposphere' beginnt mit einem Rattern und elektronisch
erzeugtem Windrauschen. Auch hat man das Gefühl ein Windspiel zu
hören, das ebenfalls elektronisch erzeugt ist. Neben diesen elektronischen
Effekten hat Michel aber auch Samples von selbst aufgenommenen Geräuschen mit in seine Musik integriert.
'Cumulonimbus' hat durch den Einsatz eines Schlagzeugsounds, der recht gut klingt,
da er den Eindruck erweckt, es wde ein analoges Schlagzeug gespielt, einen gewissen Songcharakter,
der nach einer Band klingt. Bei 'Startosphere', wird eine sehr eingängige Melodie aus
der kurz mal ein Bondmotiv hervorzustechen scheint, leider durch zu viele Sounds konterkariert.
Das folgende 'Stratocumulus' nimmt den Hörer mit auf die Reise in luftige
Höhen. Der Track gefällt mir recht gut. Auch das folgende
'Atocumulus', das den Sound von Synth.nl mit Elementen der 'Berliner
Schule' und modernen Klängen verbindet geht sehr gut ins Ohr.
Bei 'Atmosphere' kommt eine sehr schöne Perkussion zum Einsatz, die
einen arabischen Hauch in die Musik bringt. Und mit 'Nimbostratus'
hat er ein faszinierendes Stück auf der CD, das ein Flair von Jean
Michel Jarre verbreitet. Tolles Stük.
In den Stüken scheint immer eine gewisse Leichtigkeit und Luftigkeit
vorzuherrschen. Man hat ständig das Gefühl, als wden irgendwelche
Windste um einen herum wehen. Dazu kommen die eingängigen Melodieben
und glasklaren Sounds aus Michels Synthies.
Mit dem zweiten Werk 'AtmoSphere' ist Synth.nl ein ansprechendes
Album gelungen, das meines Erachtens aber nicht ganz den Standard,
den er bei seinem Debüt gelegt hat, halten konnte.
Roberto Vales / Ultima Fronteiro
"AtmoSphere" representa el segundo trabajo del sintetista holand Michel van
Osenbruggen m conocido como Synth.nl, una nueva muestra de la utilizaci de
esas muinas conocidas como sintetizadores que en su momento algunos
calificaron de frs, sin sentimientos, pero que el tiempo ha acabado
demostrando que los que afirmaban eso estaban totalmente equivocados.
Este trabajo estpublicado por el sello holand Groove, especialistas en mica
electrica de calidad, abarcando desde la Berl School hasta el ambient.
Synth.nl es un proyecto que respira de la mica sintetizada, de la Berl
School y de los sonidos de Jean Michel Jarre. Como en su anterior disco, el
compositor nos vuelve a sorprender con la fuerza de sus composiciones, en
esta ocasi su inspiraci no es la aerodinida, sino la atmosfera terrestre de
ahel tulo del trabajo. Son doce temas que van tratando cada una de las
partes que forma nuestra atmfera, temas de puro contenido electrico, de ese
que tanto apreciamos los seguidores de estos estilos musicales y que en
algunos momentos parece que hayamos perdido, afortunadamente no es as
"AtmoSphere" un disco que nos muestra nuestra atmfera desde el punto de
vista electrico, un disco para seguir creyendo que la electrica estviva.
Araglin / NL
In een gesprek met (naar ik meen) René van der Wouden vroeg de Amerikaanse
interviewer zich enigszins verwonderd af hoe het toch komt dat in zo'n klein
land als Nederland zoveel muzikanten zich bezighouden met elektronische
muziek. Renmoest zijn gesprekspartner het antwoord schuldig blijven. En
inderdaad, het is opvallend hoe een toch wel lichtelijk marginaal genre door
relatief zoveel Nederlanders (en Belgen!) levend wordt gehouden. En dat is
met name te danken aan Ron Boots en diens Groove-label. Aan de lopende band
brengt Groove het ene na het andere uitstekende album uit, van artiesten die
vaak wel een steuntje in de rug kunnen gebruiken. Neem nu 'AtmoSphere', de
zeer recent verschenen tweede cd van Synth.nl, het alter ego van Michel van
Osenbruggen. Vorig jaar verscheen zijn debuut 'Aerodynamics', dat me niet
helemaal wist te overtuigen. Dat had voornamelijk te maken met de thematiek
van het album: snelheid. Van Osenbruggen is een groot Formule 1-liefhebber
en verschillende nummers bevatten aanzwellende en brullende race- en
motorgeluiden. Ik heb helemaal niets met snelle auto's en vond de gebruikte
effecten vooral irritant. Voor 'AtmoSphere' pakte Van Osenbruggen het anders
aan en liet hij zich inspireren door (je raadt het al) de atmosfeer. Het
album neemt je mee op een reis door de verschillende atmosferische lagen,
beginnend bij de 'Troposhere' en eindigend in de ruimte met 'Exosphere'. Zo
op het eerste gehoor bevat 'AtmoSphere' vriendelijke, open elektronische
muziek, met af en toe opduikende lichte Jean-Michael Jarre-invloeden (met
name dankzij de sweeps op de achtergrond) en een jaren tachtig-touch. Fijn,
maar niet wereldschokkend, zo dacht ik aanvankelijk. Totdat ik me
realiseerde dat het album de afgelopen week constant op repeat in mijn
cd-speler heeft doorgebracht - zonder dat het ook maar n seconde begon te
vervelen. De ingrediten zijn dan ook precies goed: NASA-samples op de
achtergrond, subtiele beats en natuurgeluiden (vooral regen- en
onweersbuien), ronkende sequencers, een scheutje sfeervolle ambient en af en
toe een vette synthsolo. 'AtmoSphere' is een op een onopvallende en
bescheiden manier ijzersterk album, dat niet alleen staat als een huis,
maar het ook verdient om door een groot publiek gehoord te worden.
Matt Howarth / Sonic Curiosity
This release from 2008 offers 71 minutes of pleasant electronic music.
Synth.nl is Michel van Osenbruggen. He is joined by Hans Landman, who plays
most of the lead lines in one track. A study of the planetary atmosphere,
voyaging from the ground to outer space and examining the various
cloud formations and weather conditions that dwell within that gas envelope.
One might expect this music to be airily ambient, but it possesses a suitable
degree of rhythm and lively melody. The electronics exhibit a chugging quality,
comprised of cyclic pulsations that churn amid a foundation of atmospheric textures.
Keyboard triggered riffs float with undulant disposition. What seems to be
an elegant simplicity in structure is actually a pleasant complexity achieved
as the sonic threads intermingle and merge into a pacific flow. Most of the sounds
are light and airy, excellently conveying a sense of gaseous certification. There are
instances wherein deeper tones are employed, injecting a touch of drama to
the fanciful whimsy. E-perc defines languid rhythms which provide soothing
locomotion to the melodies. The beats are soft and understated so as not to
disrupt the music.s delicate character. Environmental samples of a
meteorological nature are utilized to lend the electronic pastiches a
terrestrial flavor. These compositions manage to be simultaneously spry and calming.
The activity found within these songs displays a meticulous restraint, never
going overt or reaching a hyperactive pace, while the passivity is
deceptively lush, exploring melodic realms too substantial to be considered
ambient. The result is a selection of affable tuneage crafted with delicate
intentions.
Mark Jenkins
Synth.NL is Michel van Osenbruggen whose debut CD was inspired by the
subject of Formula 1 racing - so you'd have thought that tracks inspired by
different atmospheric layers and cloud formations would have been a little
more relaxing. Far from it - Michel find lots of turbulence and disruption
here, so the swooshing and swirling noises soon give way to rolling
sequences and forceful drums as well as abstract sound effects.
There.s more information here on different types of cloud formation than
there is on the keyboards used (though lots of Korg T1 patches are in
evidence) but there's a good mix of rich analog sound, sampled vocal noises
giving some hints of Enigma or Enya, drum machines, rolling arpeggio
patterns and choral swirls. Possibly not such a varied album as his debut,
but still an enjoyable
listen.
2007 AeroDynamics Album
Groove Unlimited / NL
Press Information
Synth.nl is new in the world of Electronic Music. Behind this modern and
recognizable artist name is the Dutchman Michel van Osenbruggen. On his
first album 'AeroDynamics' he manages to mix two of his big passions into a
very interesting musical whole: Formula 1 racing (well, Michel doesn't race
himself but he watches the races with great love and anticipation) and
Electronic Music. The 12 tracks on 'AeroDynamics' are not only inspired by cars but also by
planes where Michel has a special feeling for as well (he was once an
F16-mechanic), especially the aerodynamics of the machines. Cars and planes
go fast. 'Fast' is also an idea the listener to 'AeroDynamics' might have because
most of the compositions have a certain 'drive'. The music is rhythmically
done cleverly and played with much emphasis on melodies. Let's say, this
could be the music that Jean Michel Jarre might have created nowadays. That
can be heard very well on tracks like 'DownForce' that has a great base
melody, 'Drag', 'Turbulence' in which also modern day Tangerine Dream greets
and 'Modena' that has an euphoric overall feeling.
In the relaxing 'Stall' the rhythms are scaled down a little. In contrast,
fans of danceable music are also invited to 'AeroDynamics' because a lot of
the numbers have moments where the feet cannot be held on the ground.
Within the world of Electronic Music which is primarily one of ambient and
Berlin Schoolsequences, Michel's work is a welcome new and fresh style.
Mark Jenkins / UK
One of the most acclaimed Groove releases of recent years, this one's
inspired by motor racing and so at least has some kind of theme to
follow through the course of the CD. Here we're looking at a
delightful mix of Jean-Michel Jarre and Kraftwerk (though as usual
with no vocals) created by Dutch keyboardist Michel van Osenbruggen,
with the opening "Scuderia" laced with racing car noises, the bouncy
"Maranello" layering thumping Techno drums under a sweeping melody
part, and much use throughout of sweeping flanger and phaser effects
to represent the effects of wind and rain on the speeding motor vehicles.
Just the sort of thing you'd hear used on a TV documentary about motor
sports, well produced with a good powerful sound mix and even, dare it
be said, a touch of humor in its mixture of music and sound effects.
Bix Brillo / USA
Aerodynamics is a brilliant piece of work...the best CD i have heard by
ANYONE in the last few years...brilliantly composed, recorded, and
produced...nice work michel...am already itching for your next release...
Elley Wilson / Canada
And from the truly inspired imaginings of Synth.nl (aka Michel van
Osenbruggen), we have the debut album worthy of some praise and
appreciation. I love the very wisely selective use of sequencers and inserts... there's a
love of music here that stretches right back to the heart of the late
seventies/eighties and comes skipping relentlessly back to now. Production
is rather neat indeed and I know as a MySpace Flight Commander, Michel is
adored by the electronic consuming masses! Watch out for the Jarre reflections;
they're well composed and arranged and
make you want to take a nice long break to the other half of the sky where
this album originates from.
My favourite little pieces of magic are delivered in the form of 'Scuderia',
'DownForce', 'AeroDynamics', and 'Falcon' (an appreciation of my kind of
avionics!). In fact... Falcon is my all time favourite so far... but the
other tracks I didn't highlight are gnawing at me for a second play!
I love this album and I do not care what anyone else has to say.. It's mine
now... all mine... Thanks Michel!
Jesse Clark / Jersey USA
Hi Michel!
"Aerodynamics" came in the mail today, and I LOVE IT!
I'd like to start by saying that there is not one good track on this entire CD.
They are all EXCELLENT! It has been a long time since I have been this excited about an album/CD.
Every track on 'Aerodynamics' is bursting with energy. The theme of the CD is
the aerodynamic aspects relating to planes and race cars, etc., and I find
the liner notes to be very interesting.
There are twelve tracks in all, and there is a brief description of every
piece, what inspired it, and even an education of the aerodynamic terms that
are used for titles, which I find to be quite interesting. There is also a
brief bio of Michel van Osenbruggen -a.k.a. Synth.nl- and a short description
of where the theme of the album came from. Every CD should come with an
insert like this one, and the album cover artwork is nothing short of
phenomenal. Also, it comes packaged in a nice hard-plastic case. I like that.
There are no slower pieces on the entire sixty-eight plus minutes of
'Aerodynamics', as they would not be in keeping with the theme. That's OK
though, as every piece on the CD is polished to *PERFECTION,* and the stereo
surround sound is exactly as it should be. I have NEVER before heard
surround sound production quality like this. Ever.
The sounds and tone colors used by Synth.nl are those that can only be
produced by a synthesizer, i.e. there are no samples of acoustic instruments
present here, which personally I like. Synthesizer music in it's truest form.
Mike / USA
This has to be one of the best EM cds of the year, no doubt.
First track very reminiscent of JMJ, the rest, JMJ on steroids, the music
that is. I also put David Morleys : Ghosts up there with this one as well as
Create: Space Time Continuum, and FSP: Gent, Brendan Pollard: Flux Echoes, i
know i missed alot others but just to give you an idea. Sound production
and mastering have to be amongst the best i have ever
heard. Michel did a fascinating job, building each track into something
spectacular, but each piece is different in its own. Everything from the
sequencing, drum programming, synth solos , f/x, and sampling are all
excellent, you would think he made 20 cds by now, considering the high
quality put into this project. Some EM these days lacks quality, you
obviously can tell when someone puts their heart and soul into a project
like this and Michel certainly did.
Great Job Michel
Carsten / ox-fanzine
Eine CD rund um das Thema "Luftwiderstand und seine Freunde"! Warum
eigentlich nicht? Und wenn es so überzeugend bearbeitet und vorgetragen wird
wie von diesem Solo-Projekt des Holländers Michel van Osenbruggen, dann sehe
ich auch mal über die geschmacklichen Entgleisungen bei der Gestaltung des
Covers hinweg, denn das ist wirklich billig und lieblos mit Photoshop
für Arme zusammengezimmert worden. Die Musik ist unaufdringliche und rein
instrumentale Synthiemusik, die sich gerne bei den üblichen Verdächtigen wie
MOBY, KRAFTWERK oder K. Schulze bedient und würde sich sicher gut als
Instrumental-Bonustrack auf so mancher modernen Pop-Maxi machen. Ich bin nun
wirklich kein Formel-1 oder Düsenjäger-Fan, aber selbst bei mir löst diese
Musik, die ständig in Bewegung ist, Assoziationen in diese Richtung aus und
somit hat SYNTH. NL diese Aufgabe hervorragend gelöst.
Dene Bebbington / Melliflua
Michel van Osenbruggen is the man behind the name Synth.nl. Here's a
relative newcomer to the music scene since he only started making music in
2005. He's been influenced by a lot of the big names in synth music such as
J.M. Jarre, Vangelis, Kraftwerk etc. AeroDynamics is inspired by the aero
dynamics of both cars and planes; these inspirations can be found in the
liner notes which have a brief description of the background to each track.
Watery percussion and the whine of Formula One racing cars zooming by are
our intro to the album in 'Scuderia'. A build up of volume and intensity
leads into the main passage of rippling sequencers and energetic melodies.
All the tracks are rhythmic sequencer based, ranging from adrenalin inducing
pieces such as .Scuderia. to the slightly chilled out .Stall.. The hum of a
propeller alongside chittering percussion begin this piece before a pleasing
melody comes in winding across the soundscape while pads and other sonic
accessories fill out the backdrop. I particularly like the free feeling of
this track as though one is in a light plane playfully swooping around the
sky.
The title track 'AeroDynamics' is one of the racier foot tapping tracks with
lots of fast percussion and rhythms. The overlayed melodies aren't anything
special but help the musical momentum. In the slower interludes electronic
music aficionados may notice a refrain which is surely a nod to Vangelis's
Heaven and Hell.
AeroDynamics is enjoyable but one of those albums where no track really
stands out, yet it doesn't contain any bad pieces either. This music is
brighter than much of the sequence based offerings from the Groove label,
and in this respect reminds me of Indra's upbeat work.
Chris Wood, NL
First of all, I want to congratulate Synth.nl with his very first album. The
cd tracks sound very refreshing to me. I like the racetrack-samples he used
very much. They really give something special to the song.
While listening the CD over and over again, you will find a real cohesion or
chemistry between the tracks. Sure, I do have my own favorite tracks but
that's personal. You have to listen to it to discover.
I can't wait for the next album and I want to give Michel a lot of positive
power for his next production. Thumbs up. One thing more.
The cover, which I like, is something personal. You like it, or you don't.
But it doesn't say anything about the music. Like a painting, the frame is
just a choice of finishing touch, what counts is the painting itself. You
have to look through it. It is a really good product so I would say, buy it!!!
Edgar Kogler, Amazings.com
The music by Synth.nl submerges us into a waterfall of vitality and
dynamism. Starting from a basis with roots in the Synth-Pop and the most
futuristic trends of Techno, the composer shapes a solid collection of
themes that gather several of his most personal influences. In the CD, the
listener can perceive, for example, subtle touches of Space Music,
Progressive Rock and Electronic Jazz.
Phil Derby / Electroambient Space
I just finished reviewing a very dark ambient album, and was in need of a
fast antidote. I quickly reached for the new disc by new talent Synth.nl, a
Dutch musician by the name of Michel van Osenbruggen. I had already listened
to it a couple of times, and knew that it would be the perfect way to get my
energy back. This is totally fun, upbeat, optimistic music. The album.s
title derives from van Osenbruggen's love of planes, cars, and other
aerodynamic phenomena.
We get to hear race cars whizzing by in the opening seconds of the opening
track, 'Scuderia'. Bass synth pulses and skittering percussion set a light
tone as bright glassy electronics ensue. Synth.nl lists Jean Michel Jarre as
an influence, and that is felt and heard here, a really fun way to start the
album.
'DownForce' cools things down with a relaxed, easy listening number. The
emphasis throughout is on catchy melodies and rhythms, presented in a way
that goes down easy.'
Many are playful, such as the bouncy 'Maranello'. Some slow things down a
bit, like the relaxed tunes 'Drag' and 'Stall', whereas others keep things
moving briskly such as fast-paced sequencing of 'SuperSonic', 'Turbulence',
and the particularly ebullient title track.
It would be virtually impossible to be down while listening to AeroDynamics.
Sylvain Lupari / Guts of Darkness
A Ferrari over Mars! How does it sound to you? Syncopate rhythms which roll
on beautiful involving sequences! Does that interest you? Here AeroDynamics,
the 1st opus from the Dutch synthesist Michel Van Osenbruggen. As much to
say it first, you won.t find complex sequences, nor long atmospheric
passages. No, Synth.nl is from Jean Michel Jarre (new grinding) school,
Moonbooter and a punchy zest of Kraftwerk. So rhythm, lot of rhythm with
solid percussions on unbridles sequences.
With a title like Scuderia, we are not surprise to hear tires bitten vacuum
as intro. The tempo is easily install on beautiful stroboscopic sequences
and a synth with spacey atmospheres, which encircle a musical setting worthy
of the last Jean Michel Jarre. Involving and percussive, Scuderia represents
perfectly the musical mood that follows with the 12 other titles on
AeroDynamics. Superb melodies with sequences animated of sensuality like
Downforce, Stall and AirFlow, are scattered among strong nevrotic impulses
such as Drag, Turbulence and Falcon. Admittedly, there are moments with
strange and doubtful atmospheres, as the title track, Modena and Lift, but
they are quickly packed of frantic tempo which strikes the walls from their
jerked effects and musical resonance, though Lift remains rather quiet
compared to the remainder.
Simple, but brilliantly effective, AeroDynamics is an album of EM which
revolves between the zones of a moderate Techno and short floating ambiances
which encircle syncopate tempos, sometimes unbridle.
If you like an intelligent music which strikes audacity neurotics
sequencers, Synth.nl's AeroDynamics is simply indicated to you.
Matt Howarth / Sonic Curiosity
This release from 2007 offers 68 minutes of fleet electronic music.
Synth.nl is Michael van Osenbruggen.
Energetic electronics flourish here, creating engaging tunes peppered with
sliding punctuations and chugging rhythms. A versatility is present in the
electronics. Airy textures roil at the edges, evoking the impression that
each song is zooming along. Crystalline chords swirl with jubilant resolve,
generating a mood of amiable comfort.
Sharper riffs are triggered by nimble-fingered keyboards, establishing an
invigorating effervescence. Deeper tones are utilized to provide a grounding
element for the rest of the sounds, enhancing the overall sense of
determined movement. The snappy percussion helps to maintain the melodies
constant motion, allowing no pause in the breathless flow. The rhythms are
tastefully integrated into the mix in a manner that renders the beats into a
contributory role rather than a driving force.
This generation of this music was inspired by van Osenbruggen.s interest in
racing cars and swift aircraft. A sense of velocity is dominant in the
compositions. Bouncy melodies are established and then seasoned with
sprightly embellishments that expertly communicate an aerodynamic quality to
the listener.
While speed plays a factor, the music is not hyperactive, transmitting
rapidity through emotional impact instead of a frantic pace.
Bert Strolenberg / Sonicimmersion.org
The musician behind Synth.Nl is the Dutchman Michel van Osenbruggen, who
started recording music for his concept album "AeroDynamics" in 2006.
Although I can.t say the cd-cover to it is that attractive to me, the twelve
tracks on the disc speak their own language. It.s a nice collection of
mellow-melodic pieces with proper portioned rhythms which all sound very
honest and open.
They are not that fancy, but still well done, sometimes even slightly
leaning towards techno/dance kindred music, this due to his fast sequencing
style. Especially the first half of the cd creates a very nice mellow and
relaxed mood, in which the energizing sounds of racing cars and machines
pass by in the sound spectrum.
"Modena" is a weak track in my opinion, lacking composition and sounding a
bit too simple compared to the others, although the title track coming after
it isn.t that strong either. Nevertheless, Synth.nl is a welcome name in the
genre of electronic music, as I.m sure lots of fans will be pleased by his
straightforward and warm sounding music.
(Remixing and mastering credits go out to no other than Ron Boots)
Stephan Schelle / DE
Synth.nl ist ein neuer Name in der Elektronik-Szene (ein gut gewählter Name
für die Nutzung des Internets). Hinter diesem Pseudonym verbirgt dich der
Niederländer Michel van Osenbruggen. Er hat beruflich seit Jahren mit
Elektronik zu tun und begann im Jahr 2005 damit seine eigene Musik zu
machen. In 2006 begann er dann mit den Stücken zu dem jetzt, im Herbst 2007
veröffentlichten Debütalbum 'Aerodynamics'.
Das Cover, das eine Computerlandschaft mit einem Formel 1-Boliden zeigt und
der Titel des Albums weisen schon darauf hin, dass es bei der Musik von
Synth.nl um Geschwindigkeit geht. Michel schreibt in dem vierseitigen
Booklet, das Erläuterungen zu jedem einzelnen Track enthält auch, dass er
sich von seiner Liebe zum Formel 1-Rennsport und seiner Zeit beim
Militär, als er als Mechaniker einer F-16 eingesetzt war, hat leiten lassen.
Titel von Stücken wie 'Scuderia', 'Maranello', 'Drag', 'Turbulence' oder
'AirFlow'. bestätigen dies. Die CD startet mit 'Scuderia' und zur
Unterstützung dieses Titels lässt Michel gleich mal einen Boliden von links
nach rechts durch die Boxen rauschen.
Auf dem Album finden sich sehr schöne melodische und rhythmische
Stücke, die
sofort ins Ohr gehen. Lange ausgedehnte Stücke sind nicht Michel's Ding, er
kommt schnell auf den Punkt und so sind auch nur Stücke mit Laufzeiten
zwischen 4:28 und 6:42 Minuten auf der CD zu finden.
Herrliche Melodien mixt Michel mit Soundeffekten und passenden
Rhythmuspassagen. Mal zischt es wie bei 'DownForce' aus den Lautsprechern,
dann hört man wieder Motorenlärm wie bei 'Maranello'. Letztgenanntes
Stück könnte auch Musik für eine Dokumentation sein, dabei kann ich mir gut
fahrende Formel 1-Rennwagen auf einerm Testgelände vorstellen. Wenn nach gut
zwei Minuten der Rhythmus einsetzt wird der Track sogar tanzbar.
Ein Stück herauszuheben fällt nicht leicht, weil alle einen gleich guten
Qualitätsstandard aufweisen. Außerdem kann der Käufer Einzelheiten zu den
jeweiligen Stücken aus erster Hand dem Booklet entnehmen. Mit 'Drag' hat er
aber ein Stück dabei, das mich sofort infiziert, eine Mischung aus
Klängen á la Jarre und Clubsounds. Michel sollte mal drüber nachdenken, ob er die CD
RTL oder anderen Sendern, die über Formel 1-Rennen berichten, zukommen
lässt. Vielleicht hören wir dann den ein oder anderen Track bei der
Übertragung der nächsten Saison, denn da würden sich die
Stücke auch gut machen.
Mit 'Aerodynamics' ist Michel aka Synth.nl ein wirklich gelungenes Debüt
geglückt. Wer eingehende Melodien mit elektronisch erzeugtem Equipment mag,
der sollte unbedingt in dieses Album hineinhören. Mir gefällt es jedenfalls
sehr gut.
Roberto Vales / Ultima Fronteira
El sello holandés Groove nos presenta el primer trabajo publicado de
Synth.nl, nombre tras el cual se encuentra el compositor holandés Michel Van
Osenbruggen.
En "AeroDynamics" quedan patentes las dos grandes pasiones de este hombre,
los sintetizadores (los colecciona desde 1991) y la Aerodinámica, es este
último concepto en el que se inspira para la composición de sus temas,
principalmente en aviones y coches de F1, esto último queda reflejado en la
portada del propio disco. Musicalmente hablando, este disco comienza con
"Scuderia", un tema donde se puede escuchar el sonido de un F1 y que es un
adelanto de lo que nos podemos encontrar en este trabajo, música
alectrónica
inspirada en hombres como Jean Michel Jarre, con melodías frescas y
secuencias pegadizas.
Como si del recorrido a través de un circuito se tratara, nos encontramos 11
temas más en los que las virtudes mencionadas anteriormente se siguen
sucediendo, para conformar un trabajo muy agradable de escuchar, bien
producido y recomendable para los amantes de la música electrónica.
Música electrónica, coches de F1, aviones supersónicos, que
más podemos
pedir?....
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